When the epic opens, Tulalang was seated on the banks of the Livehanen River, a small tributary of the Kulaman River, happily fashioning ornamental knee bands. He seemed to be concentrated on what he was doing, oblivious of the young women who were sitting by themselves, observing him and noting how different he was from other young men of his age, for he was "never irritated" and was "overly well behaved."